Nesting in Cocoon:
A Conceptual Playground
From Collage to Section Study
Nesting in Cocoon:
A Conceptual Playground
From Collage to Section Study
Nesting in Cocoon:
A Conceptual Playground
From Collage to Section Study
Nesting in Cocoon:
A Conceptual Playground
From Collage to Section Study
Oct 2018, 1 month, YSOA
Critic: Miroslava Brooks
Type : Installation, Playground
Individual Conceptual Academic Project
Oct 2018, 1 month, YSOA
Critic: Miroslava Brooks
Type : Installation, Playground
Individual Conceptual Academic Project
Oct 2018, 1 month, YSOA
Critic: Miroslava Brooks
Type : Installation, Playground
Individual Conceptual Academic Project
Oct 2018, 1 month, YSOA
Critic: Miroslava Brooks
Type : Installation, Playground
Individual Conceptual Academic Project
When love feels like magic, you call it destiny. When destiny has a sense of humor, you call it serendipity.
The initial collage allows for an open-ended and spontaneous improvisation of the combination of the object. After several iterations, I decide on one of the collages that I think having potential for develop as a sectional space. The sectional study test how light, shadow, refraction, and reflection affect spatial perception. The final model plays with material and color to express the heavy versus the light, the solid versus the permeable, the smooth versus the bumpy.
When love feels like magic, you call it destiny. When destiny has a sense of humor, you call it serendipity.
The initial collage allows for an open-ended and spontaneous improvisation of the combination of the object. After several iterations, I decide on one of the collages that I think having potential for develop as a sectional space. The sectional study test how light, shadow, refraction, and reflection affect spatial perception. The final model plays with material and color to express the heavy versus the light, the solid versus the permeable, the smooth versus the bumpy.
When love feels like magic, you call it destiny. When destiny has a sense of humor, you call it serendipity.
The initial collage allows for an open-ended and spontaneous improvisation of the combination of the object. After several iterations, I decide on one of the collages that I think having potential for develop as a sectional space. The sectional study test how light, shadow, refraction, and reflection affect spatial perception. The final model plays with material and color to express the heavy versus the light, the solid versus the permeable, the smooth versus the bumpy.
When love feels like magic, you call it destiny. When destiny has a sense of humor, you call it serendipity.
The initial collage allows for an open-ended and spontaneous improvisation of the combination of the object. After several iterations, I decide on one of the collages that I think having potential for develop as a sectional space. The sectional study test how light, shadow, refraction, and reflection affect spatial perception. The final model plays with material and color to express the heavy versus the light, the solid versus the permeable, the smooth versus the bumpy.
dreama simeng lin
drm.s.lin@aya.yale.edu
Real?
Formal Analysis of Nolli's Map and Piranesi's Map
Dec 2018, 1 month, YSOA
Critic: Peter Eisenman
Type : Computer Drawing
Individual Conceptual Academic Project
Between the Map of Rome completed by Nolli and the Campo Marzio drawn by Piranesi, there is a distinct difference in the perception of what is real. While Nolli scientifically creates a map of figure and ground, Piranesi invents a fanciful and provocative recreation of Rome based on archaeological sites. Pre-existing axes were used by Piranesi as references for other buildings. While the real for Nolli is the urban figure-ground at the current time, the real for Piranesi means to record the city of different times on drawings—not the real as the photo taken by satellite, but the real as the city recorded in the history.